Tuesday, May 31, 2011

cOnTeMpOrArY aRtIsT



Kanako Sasaki was born in Sendai, Japan 1983. She attended Ithaca College for Journalism in New York in 2001. Following Ithaca in 2004 Sasaki also attended School of Visual Arts in New York and lastly around 2006-2007 Sasaki did a stint at the Royal College of Art. Now Sasaki lives in New York and teaches photography classes around the area and has been since around 2004. 

Sasaki has numerous different methods and projects currently in place and that have taken place so rather than approaching her work as a whole I picked one single project Sasaki worked on in her past in order to get a better look at her motivations, composition, concept, and method. They vary from project to project so this is the most precise way. 

The project title is known as Walking in the Jungle. As a whole Sasaki focuses on the "celebration of the capacity for survival of universal emotions." Sasaki searches for a universal memory "of a bygone time in order not to lose her own memory" of not just her past but the past in general. This project solely focuses on the use of photography to access histories and memories. The memories of specific times and places that reveal her memories and nostalgia she has toward the past. Her past and other's past for example she pictured a memory of AF taking place nearly 60 years ago after having to hide in the attack for days on end because of the war currently taking place, World War II. 
Personally I love Sasaki's take on photography. I appreciate what they are attempting to portray while not everyone may not be able to understand it. I love that she is able to represent an entire memory an entire history with the simple  click of a button. She
 can portray someone's every emotion, every feeling through a picture of the past. 

bLoG tW2

PROMPTS


A picture is a perfect representation into someone’s soul. A picture can represent and pick up little necessities on any person and of any person that you can’t find in person or you can’t pick up in a painting.

Taking pictures can often times be an ethical problem because while many photographers attempt to portray something it can lead to misrepresentation. Honestly I think it depends on your own moral code to determine what and when it is ethically wrong to digitally alter a photograph. Personally I don’t believe in altering photographs for one reason and that reason being that a photograph is a representation of a person not a representation of a digitally altered version.

I see portraits everywhere starting in the morning with the pictures in my room and the billboards and posters on my way to class and perusing facebook constantly throughout my day. The difference between facebook pictures and pictures on the news isn’t much in my opinion. While there isn’t much of a difference the one difference is very big. The intent is a little different for the news is often times meant to portray something bigger than ourselves but facebook is more of a fun release for friends to share pictures with one another.

While a picture can look into the soul of a person a picture can also look into the soul of the photographer. The photographer chooses what to take a picture of, who to take a picture of, and how to take the picture. The photo really tells more about the photographer than the subject itself.

The picture is what you make of it. A picture isn’t just taken without looking through a viewfinder. A picture is carefully constructed perfectly angled and almost never taken by accident. A picture is a picture because someone wanted it to be.

The picture is what you make of it. A painter paints what he wants to paint and portrays his own interpretation of the scene but a photograph is more open to a viewer’s interpretation because a picture captures a scene for what it is and technically a photographer can’t change what a viewer sees.

Wednesday, May 25, 2011

rEcReAtIoN tW2


Coney Island 1947
335 Linden 2011
Sid Grossman was born June 25, 1913 in New York, New York. In the year 1947 the Coney Island picture was taken for the collection, The Streets of New York. The purpose of this project, which took place between the years 1938-1958, was intended to portray the personal responses of the photographers and the subjects to the vibrant and urban life of the city. Grossman mainly focused on Harlem through this series attempting to portray a sense of energy, pace, vitality, and vulgar. The photographers including Grossman used small cameras and available light rather than a staged photograph. The photographers allowed subjects to be out of focus, allowed blur, allowed the picture to appear off kilter, and often times allowed random subject matter within the image. The objective of this series was to document the city as is rather than attempting to recreate an experience. 

During this time Grossman also co-founded the Photo League School a school supporting photography as a social and political change something Grossman fondly believed in. He taught classes in documentary photography and later in the late 1940's began taking photos of labor unions leading to an FBI investigation and the blacklisting of the Photo League as a communist front in 1947. 
Although the Photo League was sadly forced to disband Grossman is still remembered today as a pioneer of documentary photography and an inspiring teacher. Grossman ended his eventful life December 31, 1955 in his beloved city of New York, New York.

For my recreation I wanted to take the same feel of the original photograph and make it my own. While the original and my recreation have some major differences such as the lighting and framing I attempted to represent what the original did which was the personal responses of the photographers and the subjects to their surroundings. These are my people and they are my life so rather than a city and the people inside I used the people I am familiar with and a setting they were familiar with and asked them to just be themselves. Almost to pretend the camera isn't there. Eventually one of them actually unintentionally smacked another and the laughing started. This picture completely embodies who they are and perfectly represents the lives me lead. I wanted the framing to be small because this is such a vibrant image I didn't want the background getting in the way. I did very little editing because much like the original I wanted it all to be natural and portray what really happened rather than creating it on my computer. 

aSsIgNmEnT oN1








pIcTuRe On1

Repetition was the prompt for this picture. I attempted to portray the prompt through the use of a tight frame and no background in order for the viewer to focus their complete attention on the use of repetition throughout the entire shot front to back regardless of what the focus may be.

The concept behind my image wasn’t much of a thinker. All I really wanted to portray was the prompt so viewing the picture the use of repetition is pretty straightforward. I used a few lantern lights found within my home and lined then up without any space in-between in order to portray a stronger sense of repetition within the photo.

When starting out I assumed the prompt to be pretty easy. Finding a pattern and taking a few pictures at different angles but then I attempted to take a different approach and create my own repetition through the use of lantern lights found within my home. I turned the lights on within the lanterns in order to add yet another new element to the picture because I knew I would be converting it to black and white and turning the lights on would add brightness as well.

The goal behind this image was to fulfill the prompt for my set of pictures.

To be honest I don’t want this picture to be political or anthropological or chemical I want this picture to portray a sense of simplicity. I want this picture to represent repetition and I didn’t want the viewer thinking more into and trying to contract a political standpoint from it. It’s simple and that’s how I like it.

Unfortunately I honestly am not very familiar with artists or my time and therefore cannot compare my work to theirs but I would assume that along with the many of photographers out there that attempt to portray a political standpoint through a piece of cheese there are those who still appreciate a simple photograph that is straightforward and beautiful without trying to send a message or portray a story.

CRITIQUEEEEEE

Viewers enjoyed this image. They thought it was interesting and the framing was spot on. Although they enjoyed the framing and how the subjects of the photo took up the entire frame and the amount of zoom that allowed the viewer to approach an almost sense of uncertainty of what is it the image the amount of contrast was definitely something worth fixing in the image. One issue brought up with this image is the fact that this image was almost too bland and all one color. The angle was interesting but the color contrast took away from that.

I personally love this image. While I understand what the class was saying when referring to color I almost like the fact that the image was almost a chaotic blur. Organized patterned chaos. I could definitely use this image as a jumping off point for patterns. Giving bland everyday patterns a new look and taking a new approach to something that most would see as mundane. 

pIcTuRe Tw2

For this image I wanted to create somewhat of a similar effect as my first image. The emphasis of this picture is the entire picture. The entire picture is in focus and the light is evenly portrayed throughout the entire picture and lastly I wanted the perspective to be from underneath the flowers almost as if they are falling or coming at the viewer.

This image concept was completely centered around my prompt of “Once Upon A Time” and as explained below I attempted to portray a whimsical almost fairy tale-esque feeling through the use of lighting and perspective.

This image was much more spontaneous and happened while taking pictures outside. I really didn’t have a method or idea of what this picture was going to look like or turn out to be, I saw a beautiful tree and went from there snapping pictures from all different angles and all different locations throughout the park and tree.

The prompt was “Once Upon A Time” and in my opinion the whimsical look of the flowers and the way the light hits them almost as if they are being lit up reminds me of a princess and a ball gown and the way a flower would look in a “far away land”.

Like explained above although I am not familiar with very many recent photographers work I once again didn’t want to attempt to portray anything heavy. “Once Upon a Time” is an extremely light prompt reminding me of my childhood and the easy going feeling of the tender age of “kid” so portraying anything more than a whimsical flower would just not have fit the prompt I explored.

CRITIQUEEEEEE

This image was definitely interpreted as pretty. It is a picture of flowers so I wouldn't expect anything less. After thinking and talking about the image for quite some time the class finally ventured upon the topic of happiness and how this image although somewhat dark for a picture of flowers attempts to portray a sense of light and airiness through the flowers. Nothing was really mentioned too much about the actual technicality of the image more so the narrative of the image.

I love this image but the one thing that I would have loved to change about this image is the contrast. I would have loved for the raindrops to definitely make more of an impact on the whole story of the image or I would have hoped to keep this image in color because the color kept the depth and contrast of the raindrops alive.

I love this image and I have actually been thinking an awful lot about an extension for this image. And I would love to use this picture as a jumping off point for a fairy tale narrative told through flowers rather than human beings or something related to human beings. 

pIcTuRe ThRe3

The Coke can was a bit hard to photograph. I wanted to create a whole new perspective on the Coke can and doing that was a bit tougher than I thought. I wasn’t really too concerned about the lighting but I did want the perspective of the can to be almost as if it was falling and could tip at any second.

The concept within this image was once again following the prompt. The prompt was balance and as explained above I am a fan of the simple so I wanted to once again to portray a straightforward image of “balance”. I didn’t want the viewer to have to think or attempt to put meaning behind the image I wanted them to appreciate the perspective and ability to make a simple Coke can something they hadn’t seen before.

This image took careful planning because it took me awhile to portray this Coke can without making it seem like a boring old photo of a Diet Coke that just wasn’t aesthetically pleasing. My brother taught me how to balance a Coke can when I was really little and every time I had a pop it would be balanced in front of me on whatever surface I could find. I remembered this as soon as I saw balance and thought this was a perfect example of balance through the use of flash. I experimented a few times with the angle and perspective of the shot and decided that this was the best shot because like explained above I wanted to portray a sense that the Coke can was falling.

The goal of this image was to fulfill my prompt of balance in a straightforward simple way that attempted to portray a simple grocery item in a new inventive way.

Once again this image wasn’t meant to portray anything heavy, political, or social. It was meant to depict a Coke can with a new perspective. It doesn’t relate to any photographers because like I have previously mentioned unfortunately I am not familiar with any.

CRITIQUEEEEE

This final image was a crowd pleaser. The majority of my classmates really loved the framing of this image. They enjoyed a new fresh take on a coke can which was something they really hadn't taken notice to before.

What definitely worked for this image was the framing and the angle in which the image was taken. The contrast was also working because it once again allowed the angle and framing of the image to shine.

I wouldn't change anything about this image. I know that is a bold and bland statement but I love the way the pop can is almost coming at you because of the framing of the photo. I like the blurry background and the way the contrast highlights the core of the image which is the coke can. I like that the prompt for this image was balance and the entire image portrays a sense of imbalance.

I think this is a beautiful stepping stone for a series of photographs depicting all different types of pop cans and/or pop bottles. I think a series of things people don't usually see the beauty but rather a thirst quencher would be a wonderfully interesting series.






Monday, May 23, 2011

bLoG oN1

PROMPTSSSS

A world without photos would be pretty boring. Photographs are absolutely extraordinary and can be used for a variety of different things. We would lose a lot of what makes our world so pleasing and interesting to the human eye.

The word photograph means a lot of different things to mean but most importantly it stands for memories. While I know I take pictures for reasons other than memories but memories are the most important aspect of picture taking.

I definitely agree with this quote. At first reading it over I was a bit confused to be honest but after looking over it a few times I was able to truly understand that a picture may portray one thing but that doesn't necessarily mean that it was meant to portray it.

I honestly believe that when people are at a loss for words a picture is the perfect way to describe how one is feeling. Personally I could never describe some of the stuff I have photographed simply because I just couldn't find the words and I wasn't about to tell the story with the wrong words. There are I'm sure times when words do a better job than pictures but I know this may sound silly but to be honest I have never really encountered a situation when I would rather use my words because a picture as cheesy as it might sound is already worth a thousand words.

Tuesday, May 17, 2011

ReCrEaTiOn 1


           Erwin Blumenfeld was born in Germany of 1897. Blumenfeld's business began flourishing in the late 30?s where he began photographing customers in his Amsterdam leather shop. In the year of 1941 Blumenfeld left Nazi Germany and arrived in the United States. 
"Untitled" by Erwin Blumenfeld
"titled" by Allie
            Blumenfeld began exploring with reflection, mirrors, and light upon entering America and this picture is a representation of his experimentation. Further exploration led to the famous portrait of a young Audrey Hepburn skyrocketing Blumenfeld and his photography into the limelight. Along with picturing young hollywood Blumenfeld was one of the first to explore with such elements of photography.
            The picture entitled ?Untitled? was photographed in New York 1949. The photograph was inspired by Cuban painters. The head, bust, and arms of the figure appear disconnected. The figure?s contours are simultaneously being emphasized by a variety of luminous reflections. As a whole the photo was intended to portray an impression of an apparition. 
"titled 2" by Allie
             Upon looking at this image again and again I have come to appreciate and truly adore the image. One the surface, the photo portrays an almost abstract and disconnected figure but upon further exploration one realizes that it is just a woman and a mirror. I admire the ability to create something so appetizing to the human eye with nothing but an average household necessity.
              For my recreation I wasn’t really confident in completely re-making the image. The image was extremely unique and difficult to construct. In my image I strived to accomplish the feel and sensuality of a woman’s body while at the same time attempting to experiment with reflections much like Blumenfeld did in his “Unititled” image. This image was more of my interpretation of the image than an exact re-make of the original photograph.